January and February opening hours
The gallery is open by appointment during January and February 2010.
Please call: 013398 81603 or 07775606087
Ross Whyte, ‘Fog’
Friday 13th November. 7.30pm
Fog is an audio-visual installation which explores the theme of communication breakdown. Initially inspired by the aphasia of the composer Maurice Ravel, Fog attempts to place the listener in the role of composer through the use of headphones and video.
Tickets £5 from Left Bank: 013398 81603
This event is part of SOUND 2009
Lisa O’Brien residency at Left Bank

Lisa O’Brien residency at Left Bank
10th – 14th November
as part of SOUND 2009
Extra opening hours
Tuesday 10th/Wednesday 11th 12pm – 5pm
Thurday 12th/Friday 13th/Saturday 14th 11am – 5pm
Day 4




Day 3

Day 2





- ‘The grocer’s shop,
- Tarland’

- ‘Wm Blackhall, Kiltmaker,
- Tarland’
Day 1



Pete Stollery, ‘Altered images’. October 30th 2009

Pete Stollery played a number of his own compositions and his last ever performance of ‘Degrees of separation: Grandchild of Tree’ by Paul Rudy for amplified cactus and digital sound.

Mary Lloyd Jones, landscape paintings inspired by Orkney. Show runs until Saturday 28th November

Preview Friday 6th November 2009
6pm – 8.30pm
Artist statement: ‘ As painter, my vocbulary is a collection of marks. These can be memories of hillsides, cloud shadows, leaves in the wind or rock faces. To these have been added graffiti on walls, The Ogham and Bardic alphabets, and the spirals zig-zags and linear inventions of prehistoric carvings which represent values that are in stark contrast to our global technological age. Through my work i try to create links with the past, with the lives of previous generations, with folk memory, myths and legends all of which contribute to the atmosphere of the landscape. I would like to bring about a heightened awareness of the land and the multifaceted nature of our understanding of it.
Archaeology is a fruitful source of visual ideas. Following this interest led to my first visit to the Orkneys, some of the resulting work can be seen in this exhibition.’ MLJ












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